| ¹ | Track of Mystery of Notre Dame, Orlando consort | Mode, kbps | Length | Size, MB |
|---|---|---|---|---|
| 1 | Orlando consort Alleluya - Assumpta Est Maria | 192 | 8:08 | 11.17 |
| 2 | Orlando consort Pasha Nostrum Immolatus | 192 | 1:47 | 2.45 |
| 3 | Orlando consort Video Celos Apertos | 192 | 1:32 | 2.11 |
| 4 | Orlando consort Et Valde Mane Una Sabbatorum | 192 | 10:29 | 14.40 |
| 5 | Orlando consort Victimae | 192 | 2:27 | 3.37 |
| 6 | Orlando consort Cristus Resurgens - Dicant Nunc | 192 | 6:18 | 8.66 |
| 7 | Orlando consort Benedicta - Virgo, Dei Genitrix | 192 | 16:11 | 22.23 |
| 8 | Orlando consort Etenim Sederunt Principes | 192 | 4:17 | 5.89 |
| 9 | Orlando consort Sederunt Principes - Adiuva Me, Domine | 192 | 16:24 | 22.53 |
| 10 | Orlando consort Alleluya - Video Celos Apertos | 192 | 6:45 | 9.27 |
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1Wonderful07-04-2008 08:06
Orlando consort Mystery of Notre Dame
since the artist gave me two choices, I reviewed Designs. A very special song, mostly of vocals and piano in the mixing booth, and leave the band out of the repitition, but there needs to be Orlando consort Mystery of Notre Dame more than once. Which in most cases is what happens when you throw a song in a couple spots, such as when you ask "what about you?" You don't seem to expand on that a little. Maybe that could be something as simple as bringing the volume down 3db and adding a touch of reverb. nb Orlando consort Mystery of Notre Dame Jonathan Sanders has here produced a very good song! I am critiquing it AS A DEMO. Here goes... First off, you're on the right track by keeping it simple and clear. Submitting this and working on it will keep it easier to correct and allow others to get there with.